Bloodthirsty housewives, ultraviolent animation, and pagan folklore haunt SXSW's midnight slate

At Cannes, one can expect major works from internationally famous auteurs. Oscar hopefuls vie for spots on the TIFF lineup. My colleague A.A. Dowd gave his definition of a “Sundance movie”—basically, a quirky indie crowd-pleaser—on our Film Club episode about that festival. But SXSW’s hybrid identity as a music…

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