With The French Dispatch, Wes Anderson pens a dizzying, poignant love letter to The New Yorker

It should come as no great surprise that Wes Anderson is a longtime, avid reader of The New Yorker. They share a sensibility, don’t they? Call it an appreciation of the finer things, coupled with a neat and pleasing organizational sense. Anderson, director of live-action movies with the visual imagination of cartoons…

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